Taps Bugler: Jari Villanueva

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Celebrate 150 Years of Taps

Evening At The Virginia Military Institute

vmi_10-16-2013

http://oldvirginiablog.blogspot.com/2013/10/a-memorable-evening-at-virginia.html

Blog by Richard Williams Jr.

Last night I had the privilege once again of speaking at the Rockbridge Civil War Roundtable in Lexington, Virginia. The meeting was held in the basement of the Marshall Museum on the grounds at VMI.

As I was unloading a box of books and taking this picture, Colonel Keith Gibson (who serves as director of the VMI museum) stepped out of the shadows and surprised me, offering to help me carry some books inside. He also gave me an impromptu history lesson on the Corps of Cadets lowering the flags at 7 every evening -as they were doing when I took this photo. He told me that he believed VMI was the only military installation (school?) left in the United States that still used a live bugler for this ceremony. Here’s what the VMI website has to say about this ceremony:

For over 150 years, the VMI buglers have been a crucial part of the Institute. They announce oncoming formations, play Reveille for the beginning of the military day and raising the colors, “Retreat” and “To the Colors” to announce the end of the military duty day and lower the flags, and finally at CQRB and Taps. Their role is of utmost importance to the Institute by keeping cadets informed of formation and class period beginnings and endings.

Every cadet is required to report for this and a cannon is fired as a salute just before the flags are lowered. Colonel Gibson said this has been performed every night since the time Jackson taught at VMI. It was one of those surreal moments I will always remember- standing there, the VMI lights and the moon rising over the barracks casting shadows – taking it all in with Colonel Gibson saluting the lowering of the flags. Truly memorable.

My topic was: Dr. Lylburn Downing & Stonewall Jackson: Two of Lexington, Virginia’s Favorite Sons. I’ll post part of my talk at some point in the future. It was taken from chapter 5 of my book about Stonewall Jackson and his black Sunday school class.

 

 

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